
BLAISE ALLYSEN KEARSLEY
I know the name looks complicated. My first name is pronounced BLAZE, my middle name is ALISON but with some different letters and my last name sounds like KE-ERZ-LEE.
That's it for this first section of my website. It's been pretty demanding already.
[ news
In July 2025, we launched How I Learned magazine. By we, I mean me. Me launched How I Learned magazine. It's a new iteration of the live NYC storytelling, reading, comedy series that ran from 2009 to 2019. The long-running show was the best thing for everyone, but I'm pretty sure the magazine is the best thing for everyone, also. Read, subscribe, and send me your best stories too.,
[ bio
Blaise Allysen Kearsley is a Black-biracial writer, teacher, coach, and artist. She is the creator of the How I Learned series live show and magazine, a contributing editor for Vestal Review, and a guest editor for Memoir Land.
Her writing has appeared in Catapult, Longreads, Memoir Land, The Boston Globe, Midnight Breakfast, Oldster, VICE, Elle, The Nervous Breakdown, and four anthologies She wrote for several online outlets dating back to the early aughts that are perhaps not worth mentioning by name, and they definitely do not even exist anymore. Blaise was awarded a monthlong residency at the Vermont Studio Center and has since been rejected by all the other ones. She has appeared as a panelist at The Gotham Storytelling Festival, and performed at The Moth, Risk!, The Liar Show, Story Collider, The Rejection Show, Literary Death Match, Cringe, and the Oblivio Reading Series.
But you probably know Blaise best from her role in "West Side Story" — as Snowboy — in 11th grade. She grew up in the Northeast and lives in Brooklyn, but if you need her for something somewhere else maybe she'll go there.
[ select writing
Essays
🜃 Sincerely and a Little Surly | How I Learned Magazine, 2025
🜃 Why Mr. Bauer Didn't Like Me | Memoir Land, 2025 — an earlier version appeared in Longreads
🜃 The Story of My Father's Hands | Memoir Land, 2023; originally published in Catapult
🜃 Finding Oneself in 'Surviving the White Gaze' | The Boston Globe, 2021
🜃 Why Mr. Bauer Didn't Like Me | Longreads, 2019 — original version
🜃 We Forgot About The Flowers | Midnight Breakfast, 2015
🜃 The Mail Club | Midnight Breakfast, 2014
Anthologies
🜃 Words to Call a Sweater | PEREGRINE, Yellow Arrow Journal, Vol. VII, No. 2, 2022
🜃 The First Time It Happened | Nonwhite and Woman: 131 Microessays On Being in The World, Woodhall Press, 2022
🜃 Cringe: Teenage Diaries, Journals, Notes, Letters, Poems, and Abandoned Rock Operas | Crown Archetype, 2008
🜃 Mortified: Real Words. Real People. Real Pathetic. I Gallery Books, 2006
[ workshops + coaching
I'm committed to prioritizing marginalized voices and providing trusted, supportive spaces for BIPOC, LGBTQIA+, neurodivergent, and disabled writers. In a more humane world this might not need emphasis, but here we are.
12 spots left
Sudden Truths: Writing Flash Memoir + Super Short Personal Essays
6-Week Workshop
Wednesdays, October 22nd - December 3rd. 6:30 - 8:00 pm ET.
No class on November 22nd.
How do you tell an impactful true story with a beginning, middle, and end in a miniature amount of space?
Over the course of six weeks, you’ll practice the art and craft of flash nonfiction in 150 - 900 words and discover how this super-short form can enhance your writing practice, improve your skills, and contextualize your truths.
We'll experiment with various word counts, generate ideas through in-class writing, and discuss structure, pacing, narrative thread, and the revision process within the context of micro stories.
Writers will have the opportunity to share their work for peer and instructor feedback.
Sponsored by Writing
Workshops.
$395 | Join2Writing That Hits Different:
Sensory Details in Creative Nonfiction
1-Day Intensive
Thursday, November 20th. 7:00 - 9:00 pm ET.
Through generative, purpose-driven writing prompts, we’ll explore how sensory detail transforms narration into immersive scenes that elevate the story and stick with a reader long after they’ve reached the end.
You'll learn how to move beyond generic description and mine your memories for sensory gold—the specific textures, layers, sonics, scents, tastes, and close-focus observation. You’ll weave activating detail seamlessly into your prose—without too heavy a hand.
Perfect for writers who want to level up their craft and practice creating work that truly resonates.
This is an independent workshop.
$75 | Payment plans available. | Join
3Get Out Of Your Own Way: Exploring a More Mindful Writing Practice (Part 2)
1-Day Intensive
Tuesday, December 2nd. 6:30 - 8:30 pm ET.
Open to all, even if you weren't signed up for Part 1.
The planting and cultivation of our most fertile stories comes from non-judgmental observation and a willingness to stay curious.
So we'll look at some of the ways we get in our own way — like burnout, anxiety, perfectionism, envy, self-doubt, writer's block, and more — by engaging with writing prompts, short readings, lively discussion, somatics, and mindful meditation.
We'll learn how to stay in conversation with our stories, even when we're not writing, and to manage the stressors and distractions of our daily lives that thwart our creative focus.Sponsored by Writing Workshops.
$75 | Join
4Clock Of The Heart: Manipulating Time in Creative Nonfiction:
1-Day Webinar Intensive
Tuesday, December 9th.
6:30 - 8:30 pm ET.
First of all, who even knows what time is anymore? I feel like we need to talk about it before 2026 gets here.
In some ways, time is easier to confront on the page than in real life, but managing the sequence of events can be an overwhelming and confounding task when you're in the thick of it, or just trying to get past the starting line.
So how do you identify the depth and breadth of your essay or book? How do you work effectively with arc, pacing, pivots, and transitions to control the narrative thread and hang on to the plot?
In this 2-hour intensive we'll look at ways creative nonfiction writers wrestle down time, and what it means when they choose one experience over another. You'll learn the art of time jumping and squeezeboxing to find the story you want to tell and make meaning out of the impossibility of time.
This is an independent workshop.
$75 | Payment plans available. | Join
5Creative Coaching | One-on-One
Remote / Brooklyn
Looking for personalized creative direction? Want feedback on a new project or a work-in-progress? Struggling to find your intention, break through blocks, develop or enhance your existing writing practice? Listen. I would love to help.
We’ll have an initial convo to design a process to fit your specific needs, but coaching generally includes, and is not limited to, a 3-session package that contains close reading, extensive comments and skillful editing, and 1-hour meetings to discuss the work and figure out what’s next. After three sessions, an additional package or occasional check-ins can always be added.
Some writers ask for sustainable space-holding that includes initial where-I’m-at discussions and blocked-out writing time for focus, encouragement, and accountability. Others want a reader for a book or an essay they're about to submit for publication.
Don't wait until you're "ready." Readiness finds you when you begin.
Holler for a free 15-minute consultation.
Other workshops, webinars, and intensives include Structure, Feeling + Form; Get Out Of Your Own Way; 30 for 30: Flash Nonfiction Prompts for 30 Days; Cultivating a Writing Practice; The Art + Craft of Personal Essay; Voice + Embodiment: Creative Nonfiction for BIPOC Writers; Wrestling with Revision; Real People, Real Characters: How to Develop Full, Authentic Characters in the First-Person Narrative; and Ties That Bind: Writing the Family.
[ things people say
"Blaise's class made me a stronger writer.
It was the hardest workshop I've ever done, but also one of the most important."
— Jennifer Stewart (Dame Magazine; MFA in Creative Writing)
"Everything this group taught me about specificity, vulnerability and vivid storytelling made a huge difference. I'm so thankful for our eight weeks together." — Genevieve Kingston (NY Times' Modern Love; Author, Did I Ever Tell You?)
"I had to show up for myself and others who counted on me, even when I felt like all I wanted to do was hide under my couch. Being part of this creative group of writers saved me."
— Anna Grundström (Narratively; Adoptee Voices)
"I've taken several workshops over the years, all over the country, and this was by far the best. Blaise is a goddamn treasure."— Returning advanced CNF workshop participant and mentee
"I love that the readings center BIPOC, women, and LGBTQ voices. That has been an important and edifying element."
— Kimberly Balsam
"Blaise believed in me and my writing and showed me how I, too, can believe in myself and my writing. The level of care she provides for her students is unparalleled."
— Tiffany Yo (Sierra Nevada Review; The Rumpus)
"If you're looking for a more tailored workshop experience, this is the place."
— Flash CNF workshop participant
"Blaise's feedback is fabulous , thoughtful, insightful, generous, and inspiring."
— Katherine Arnup
"Blaise was really able to build a community on Zoom. This is an incredibly difficult thing to do, and she made it seem so easy."
— Memoir + Personal Essay workshop participant
"This is a fantastic format. It's like a tiny focus group for pinpointing the areas of my writing that need further development."
— Memoir + Personal Essay workshop participant
"Blaise is such a skilled reader and editor, and her notes are always valuable. She offers wonderful perspectives and assembles groups of writers with keen perspectives of their own. Highly recommend."
— Returning workshop participant
"What Blaise does is so specific and special.
You can't find it in other workshops."
— Returning workshop participant and mentee
"This class has been water in the desert for me."
— Mary Robertson
"Right after the first class I started paying closer attention to how writers [create] characters and how their desires moved stories forward in shows I was watching and novels I was reading. It made me more mindful of the intentionality behind works I like, which will crystalize even more when I write. The writing samples were all new to me and amazing. I’ve reordered my reading list accordingly."
— CNF intensive participant
"The critique aspect of this course was initially scary. I felt so vulnerable submitting my writing (I quickly realised everyone else did too), but the feedback was invaluable on so many levels. My reading has improved too."
— Write Your Memoir course participant
"I didn’t think I would like the in-class writing exercises but I did. I really liked the time constraints and how they forced me to write from the gut."
— CNF intensive participant
***
"I feel so inspired, enriched, encouraged, and empowered in my writing practice. I've been sitting at my desk since we all logged off just feeling how full of gratitude my heart is—for you, the workshop, and the entire group."
— Adaeze Elechi (Callaloo; Memoir Land)
"I can’t thank you enough. I’d been struggling with overwhelming doubt and your words made such a difference." — Julie S."I felt so often in school that I was writing against these very confident men who were forthcoming about the problems within my work and style. Working in your group has been restorative and has allowed me to trust myself without fear."
— Returning advanced CNF workshop participant
" 1.) Your exuberance and contagious laughter made everyone feel more open. 2.) My God, revising is your superpower. The before and after is astonishing and I might frame a page or two. I will take anything of yours I can get a spot for."
— Robert Bond, Jr.
"I’ve done a couple of other writing courses and nothing comes close to what you’ve created here. You've exposed me to writers I may never have come across. The process has been incredibly empowering."
— Introduction to Memoir workshop participant
"I learned a ton and admired very much the talent, creativity and discipline represented in our class. Blaise, I love your energy, spirit, writing, and way of teaching in community."
— Write Your Memoir course participant
"I genuinely looked forward to each week. The advice you gave sent me back out into the world with confidence and purpose."
— Creative Writing 101 participant
"You treat every question with such a genuine desire to give the best possible answer. For someone like me, that means the world."
— Creative Nonfiction 101 participant
"It's always a privilege to work with you. Your work as a writer, teacher, and mentor has had a huge impact on me."
— Jackie Shihadeh
"I want to thank you for not only helping me improve my writing but for the confidence
and practical knowledge I got from your classes to polish and submit my work. Your feedback and mentorship have meant so much to me."
— Flash CNF workshop participant
"Thank you for creating this generous space
for us to try new things and be vulnerable, for the insightful feedback, and for leading us through the last 8 weeks. I'm really grateful."
— Alex Fendrich
"Taking your class on literary nonfiction and receiving your feedback provided value beyond what I could have imagined. See? You can teach an old writer new tricks."
— Dan Fogel (HuffPost)
"What a pleasure it has been to work with you. You're truly the best, and thank you so much for finding time to work with me."
— Jennifer Taylor-Skinner
[ free silent write-in
Come through for 2 to 4 hour blocks of creative focus and accountability. Drop in whenever you like, stay as long as you want, work on whatever you need to. No prompts. Everyone on mute. Chat open. Dates and times vary. They are sporadic, actually. You might say these are pop-ups. I like to keep people guessing. Subscribe for notifications.
[ get in touch
This is the end of my website. You did a great job.