

BLAISE ALLYSEN KEARSLEY
I know the name looks complicated. I would like to help you with that:
My first name is pronounced BLAZE, my middle name is just ALISON, but with some
different letters, and my last name sounds like KEY-ERZ-LEE.
That's it for this first section of my website. It's been pretty demanding already.
[ bio
Blaise Allysen Kearsley is a Black-biracial writer, teacher, and creative coach. Her writing has appeared in Catapult, Longreads, Memoir Land, The Boston Globe Book Review, Midnight Breakfast, The Nervous Breakdown, Oldster, and four anthologies including Nonwhite and Woman: 131 Micro Essays on Being in the World, and Mortified: Real Words. Real People. Real Pathetic.. She wrote for several online outlets dating back to the early aughts that are perhaps not worth mentioning by name and don't even exist anymore, and she was an artist-in-residence at the Vermont Studio Center — also a very long time ago. Currently she is a contributing editor for Vestal Review, the longest running flash fiction journal on the planet, and an occasional guest editor for Memoir Land.
Blaise was the founder and host of How I Learned, a monthly live storytelling, comedy, reading series that had a 10-year run in New York and a short sold-out stint in New Orleans. She was a panelist at The Gotham Storytelling Festival and has told stories live at The Moth, Risk!, The Liar Show, Story Collider, The Rejection Show, Literary Death Match, Cringe, Mortified, and Oblivio Reading Series. In another one of her lives, she used real cameras to take photographs, some of were featured in Gothamist, Playbill, New York Magazine, Gawker, JPG Mag, The Morning News, and Stereobird.
She grew up in the Northeast and lives in Brooklyn, but if you need her for something somewhere else, maybe she'll go there.
[ select writing
🜃 The Story of My Father's Hands | Memoir Land, 2023; originally published in Catapult
🜃 Words to Call a Sweater | PEREGRINE, Yellow Arrow Journal, Vol. VII, No. 2, 2022
🜃 A Jet All The Way | Oldster Magazine, 2022
🜃 The First Time It Happened | Nonwhite and Woman, Woodhall Press, 2022
🜃 Finding Oneself in 'Surviving the White Gaze' | The Boston Globe, 2021
🜃 Why Mr. Bauer Didn't Like Me | Longreads, 2019
[ classes + coaching
My teaching prioritizes marginalized voices and strives to foster safe and supportive spaces for BIPOC, LGBTQIA+, neurodivergent, and disabled writers. In a more humane world this might not need emphasis, but here we are.
1The Topography of Memory in Creative Nonfiction Writing:
1-Day Online Intensive
Wednesday, May 7th, 2025; 6:30 - 8:30 pm ET. Open to all.
Where do our memories come from? Where do they live in the brain and in the body? How do we navigate the gaps and use the unreliability of recall to our advantage? How do we generate story ideas from elusive details?
Through investigative discussion and writing exercises we'll dig into description, observation, perspective, somatic language, and sensory detail, harnessing the power of connection, insight, and awareness. We'll unearth the stories we are meant to tell and gain a deeper perspective on how to tell them.
This is an independent workshop. Payment plans are available.
$75
2Intro to Memoir:
10-Week Asynchronous Course + Live Work Rooms
Wednesdays starting May 28th, 2025 + live work rooms on weeks 1, 6, + 10; 7:00 - 8:30 pm ET.
This class is designed for both budding and experienced writers, providing a rich, text-based, and asynchronous learning environment complemented by three vital Zoom check-ins and writing sessions that foster a collaborative and engaging online community.
Writers will embark on a structured journey into memoir writing, each week dedicated to exploring different facets of the craft — like mastering the art of character portrayal and navigating the complexities of time and place.
Participants will gain access to weekly lessons, recommended readings, and writing prompts that are carefully selected to inspire new work or deepen existing projects.
The Zoom meetings scheduled for weeks 1, 6, and 10 offer a dynamic platform for live interactions, writing sessions, and direct engagement.
Sponsored by Writing Workshops
$625
3BIPOC Writers
Short + Slant:
Playing with Unconventional Forms of the Personal Essay
4-Week Online Workshop
Wednesdays, June 4th - 25th, 2025. 6:30 - 8:30 pm ET.
The art of memoir and personal essay writing has evolved into an ever-expanding form of creative truthtelling. Writers like Claudia Rankine, Ira Sukrungruang, Jonny Sun, Camonghne Felix, Tamiko Nikamura, and many others blow up the colonialized formulaic ideas of what memoir can be. Their voices challenge expectations and illuminate how well-crafted variations on the short-short form can contextualize and amplify lived experiences.
In this generative workshop we'll play with braided, hermit crab, fragmented, lyric, hybrid, and ekphrastic essay forms to see what our first-person narratives can do.
This is an independent workshop.
Sliding scale and payment plans are available.
$275
4Get Out Of Your Own Way: Exploring a More Mindful Writing Practice
1-Day Remote Intensive
Date TBA. Reserve a spot.
It’s hard not to judge the value and effectiveness of our work, not to sink in self-doubt, not to censor ourselves to the point of paralysis.
But our most artful writing and fertile ideas come from non-judgmental observation of the unconscious mind, somatic attention, and the memories stored in the right hemisphere of the brain. Our narrative subject matter is revealed through the left brain/right brain perspective, not just when we’re thinking about what to write and how to write it, but when we’re grounded in present awareness.
Using writing prompts, meditation, visualization, grounding rituals, and short readings, we’ll explore meeting the unconscious mind with awareness, long-term memory anchored in the present, and the ongoing conversations between body and mind in order to cultivate and enhance our writing practice — one that helps us put our lived experiences on the page without getting stuck on what feels scary or beyond our abilities.
Sponsored by Writing Workshops
$150
Summer 2025 - Date TBA. Reserve a spot.
5Individual Coaching
Remote or in Brooklyn, NY
Get personalized creative direction and craft guidance for books, essays, or pieces to pitch for publication. Identify your intention, develop a writing practice or enhance your existing practice.
Sessions can include extensive critical feedback, editing, resources, and writing blocks for accountability, focus, and creative cultivation.
In the universally perpetual quest for accountability and momentum, signing up for 3 sessions is recommended, but tailoring the mentorship for every individual writer's needs is first and foremost.
Sliding scale and
lower cost options are available for marginalized voices.
Payment plans are also an option.
Contact me for a free 20-minute consultation.
Other workshops, webinars, and intensives include The Topography of Memory; Sudden Truths: The Art of Flash Memoir + Micro-Essay; Structure, Feeling + Form; Writing The Family; Real People, Real Characters; Cultivating a Writing Practice; The Art + Craft of Personal Essay; and more.
Subscribe to find out about upcoming workshops.
[ things people say
"Blaise's class made me a stronger writer.
It was the hardest workshop I've ever done, but also one of the most important."
— Jennifer Stewart (Dame Magazine; MFA in Creative Writing)
"Everything this group taught me about specificity, vulnerability and vivid storytelling made a huge difference. I'm so thankful for our eight weeks together." — Genevieve Kingston (NY Times' Modern Love; Author, Did I Ever Tell You?)
"I had to show up for myself and others who counted on me, even when I felt like all I wanted to do was hide under my couch. Being part of this creative group of writers saved me."
— Anna Grundström (Narratively; Adoptee Voices)
"I've taken several workshops over the years, all over the country, and this was by far the best. Blaise is a goddamn treasure."— Returning advanced CNF workshop participant and mentee
"I love that the readings center BIPOC, women, and LGBTQ voices. That has been an important and edifying element."
— Kimberly Balsam
"Blaise believed in me and my writing and showed me how I, too, can believe in myself and my writing. The level of care she provides for her students is unparalleled."
— Tiffany Yo (Sierra Nevada Review; The Rumpus)
"If you're looking for a more tailored workshop experience, this is the place."
— Flash CNF workshop participant
"Blaise's feedback is fabulous , thoughtful, insightful, generous, and inspiring."
— Katherine Arnup
"Blaise was really able to build a community on Zoom. This is an incredibly difficult thing to do, and she made it seem so easy."
— Memoir + Personal Essay workshop participant
"This is a fantastic format. It's like a tiny focus group for pinpointing the areas of my writing that need further development."
— Memoir + Personal Essay workshop participant
"Blaise is such a skilled reader and editor, and her notes are always valuable. She offers wonderful perspectives and assembles groups of writers with keen perspectives of their own. Highly recommend."
— Returning workshop participant
"What Blaise does is so specific and special.
You can't find it in other workshops."
— Returning workshop participant and mentee
"This class has been water in the desert for me."
— Mary Robertson
"Right after the first class I started paying closer attention to how writers [create] characters and how their desires moved stories forward in shows I was watching and novels I was reading. It made me more mindful of the intentionality behind works I like, which will crystalize even more when I write. The writing samples were all new to me and amazing. I’ve reordered my reading list accordingly."
— CNF intensive participant
"The critique aspect of this course was initially scary. I felt so vulnerable submitting my writing (I quickly realised everyone else did too), but the feedback was invaluable on so many levels. My reading has improved too."
— Write Your Memoir participant
"I didn’t think I would like the in-class writing exercises but I did. I really liked the time constraints and how they forced me to write from the gut."
— CNF intensive participant
"I feel so inspired, enriched, encouraged, and empowered in my writing practice. I've been sitting at my desk since we all logged off just feeling how full of gratitude my heart is—for you, the workshop, and the entire group."
— Adaeze Elechi (Callaloo; Memoir Land)
"I can’t thank you enough. I’d been struggling with overwhelming doubt and your words made such a difference." — Julie S."I felt so often in school that I was writing against these very confident men who were forthcoming about the problems within my work and style. Working in your group has been restorative and has allowed me to trust myself without fear."
— Returning advanced CNF workshop participant
" 1.) Your exuberance and contagious laughter made everyone feel more open. 2.) My God, revising is your superpower. The before and after is astonishing and I might frame a page or two. I will take anything of yours I can get a spot for."
— Robert Bond
"I’ve done a couple of other writing courses and nothing comes close to what you’ve created here. You've exposed me to writers I may never have come across. The process has been incredibly empowering."
— Introduction to Memoir participant
"I learned a ton and admired very much the talent, creativity and discipline represented in our class. Blaise, I love your energy, spirit, writing, and way of teaching in community."
— Write Your Memoir participant
"I genuinely looked forward to each week. The advice you gave sent me back out into the world with confidence and purpose."
— Creative Writing 101 participant
"You treat every question with such a genuine desire to give the best possible answer. For someone like me, that means the world."
— Creative Nonfiction 101 participant
"It's always a privilege to work with you. Your work as a writer, teacher, and mentor has had a huge impact on me."
— Jackie Shihadeh
"I want to thank you for not only helping me improve my writing but for the confidence
and practical knowledge I got from your classes to polish and submit my work. Your feedback and mentorship have meant so much to me."
— Flash CNF workshop participant
"Thank you for creating this generous space
for us to try new things and be vulnerable, for the insightful feedback, and for leading us through the last 8 weeks. I'm really grateful."
— Alex Fendrich
"Taking your class on literary nonfiction and receiving your feedback provided value beyond what I could have imagined. See? You can teach an old writer new tricks."
— Dan Fogel (HuffPo)
"What a pleasure it has been to work with you. You're truly the best, and thank you so much for finding time to work with me."
— Jennifer Taylor-Skinner
[ free silent write-in
The free Silent Write-In offers 2 to 4 hour blocks of creative focus and accountability. Drop in when you like, stay as long as you want, work on whatever's calling to you. No prompts. Everyone on mute. Chat open. Dates and times vary. Subscribe below for notifications.
_________________
"The energy is real!" —Sibyl
"Omg, I'm so tired but I got myself here. I showed up. Thank you for this quiet dedicated space." —James
[ how i learned
How I Learned is a live reading, storytelling, comedy series created and produced by Blaise Allysen Kearsley. The monthly show was born on the Lower East Side in 2009 and ran for over a decade. We've been on "hiatus" since 2020. Occasional one-off shows are perpetually in development for sometime in the near future or some other future.
Guests have included: Ayo Edebiri, Alexander Chee, Aparna Nancherla, Anna Sale, Nick Flynn, Joel Kim Booster, Jeffrey Joseph, Janelle James, Nore Davis, Dodai Stewart, Mike Albo, Abbi Jacobsen, Jo Firestone, David Carr, John Fugelsang, Mira Jacob, Jami Attenberg, Elna Baker, Rosie Schaap, Jacqueline Novak, Choire Sicha, Elissa Schappell, Dave Hill, Josh Gondelman, Mike Doughty, Maggie Estep, Jiji Lee, Alex English, Alex Edelman, Rakesh Satyal, Taylor Negron, Marie Faustin, Sasheer Zamata, Jude Doyle, Rob Sheffield, Sam Lipsyte, Ted Travelstead, Sadie Stein, Amy Shearn, Dan Kennedy, Ophira Eisenberg, Isaac Fitzgerald, Lizz Winstead, Phoebe Robinson, Kevin Allison, and many, many more.
Best Comedy Show Hosted By Women
-CBS New York
Best Storytelling Series + Best Reading Series
-Time Out New York
Best in Independent Comedy
-Village Voice
"...Always hilarious, sometimes touching, and without fail entertaining." -Brooklyn Magazine
"A charming host with an irrepressible, humming little laugh that seems to be a compromise she’s made with some wicked guffaw within." -LitWrap
"This show has renewed my faith in this whole storytelling endeavor and what it means in the world." -David Crabb, Host of The Moth
[ get in touch
Top photo: Adam Paul Verity
How I Learned photos: Jesse Chan-Norris + Jon Boulier
BWW logo: Andy Ross Creative
© 2025 Bazima Productions